"There's a paradox at the center of Couzin's work, in that for all of the wariness of form and order her films express, they remain tightly organized, elegant formal studies. ... SALVE is her most paradoxical film and, I think, her richest. A young girl's discovery of 'the relationships between the quantities' – of geometry, volume, time, and numbers – is seen as an ineffably tragic development." – Dave Kehr Awards: Ann Arbor Film Festival; SF Art Institute Film Festival.